Baylands

I had been to the Palo Alto Baylands a couple of times to do some plein air painting and it took me a few attempts to get the value scale right. This time I was mindful of keeping the colors bright, as they tend to look duller indoors. I think I'll try to go easier on the darks the next time around. I hope to make it a part of my weekly routine!

A peek at Queenstown

The other NZ sketch in acrylic, done from inside a cafe which had glass walls looking out to the Wakatipu Lake. It was a windy day and we were glad to be inside shielded from the elements while I painted and my friend settled in with a book and ordered multiple rounds of coffee and cacao to show our gratitude to the staff that let us laze inside. 

The sketch is now proudly owned (i'd like to think!) by a hitchhiker we had offered our help to earlier. He mentioned that he collected art as souvenirs and that he'd like to add this painting to his travel diary. I was more than happy to oblige! :) 

Nuggets by the Sea

Nugget Point at The Catlins, New Zealand

The blog has been very quiet and how time flies! Every time that happens, I wonder why I let time slip given how much I love to paint. This time on my vacation to NZ, I decided to paint and paint I did! This is one of the first nicer sketches en plein air using the acrylics kit that I had picked up in Auckland for the sake of convenience. I did struggle with the medium a few times and the surface used here is meant for water colors and hence the texture. I am back after two incredible weeks of flitting around in the mesmerizing world away from home, unwillingly so of course, and I plan to do some rigorous painting to beat the blues! Here's to the new year and a new beginning! 

   

The Golden Light

Julie and Jan taking a quick stroll out of the park to grab a mid-day meal during the weekend at Redwood City. The dry grass was reflecting the afternoon sun in bright golden hues - The light in the park was quite apt I would think for a workshop with Kim! This is done on an 8x16 canvas panel, a format that I am beginning to like and want to experiment more with. I think they would make interesting compositions. 

A Study in Green

A sketch from the day at the Gardens of Luxembourg. I mixed up a lot of different greens to have some variations in the foliage in the green dominated scene. The day was bright and since I was not painting under shade, the colors and the contrast seemed muted under indoor light. A lesson learnt for plein air outings! 

Vendu à Paris

I am back from the great escape - The Kim English workshop in Paris. The city is synonymous with art and never once failed to inspire! We explored a new location every day for our painting ventures. Each day started with a demo by Kim followed by our own attempts at getting at least two sketches done in a day. The emphasis was on being 'quick' to capture the essence, especially of the figures, without getting bogged down by the details.

The couple here made the first day a little more exciting by buying my painting of the Cafe at the very lively Mouffetard neighborhood! I had blocked in the figures, but people kept changing of course. And my painting was way different from what it had started out to be and also how I usually paint. I don't quite have a comfort zone as yet, but trying to paint en plein air a bustling cityscape was a huge departure. Paris, along with the fun crew, made the perfect backdrop for the trip; the beauty all around did a lot to soothe the nerves and the many failed attempts dint seem so bad after all!

The Kim English Method

I dedicate this post to the widely known artist - Kim English. The two day workshop at the SWA in Redwood city was literally a hoot. The theme was quick figure sketches conforming to Kim's Alla Prima style of painting with 'immediacy' and 'spontaneity'. We were constantly wiping the canvas every 5  to 10 min, getting ready for the model's next pose, working to get the gesture down with pre-mixed piles of paint. We probably did more than 30 of those on the first day spent inside the gallery. And on the second we were out in a park working on 20 min poses. The strict time limit forced us to focus on the big shapes and the gesture. I was tired by the end of each day, but couldn't have been happier.

A few things I came away with -

- Mass in shapes instead of a line drawing or a combination of both for a more painterly feel.

- Start with flat organic shapes and then push the paint around or wipe off parts to redo an area.

- When painting from a live model, start with a few quick sketches to prepare for the long pose.

It was tough but a lot of fun. This, to me, was the warm up for the week long workshop in Paris with Kim in September, which I am very eagerly looking forward to. Kim's paintings are of simple scenes captured in unique compositions, radiant colors and glowing lights - a constant reminder of the beauty in every day life. And that, to me, is the whole purpose of a painting. 

A 20 min sketch by Kim English. Pure brilliance.

Art Escapes

 

There are a few defining moments that kept me glued to Art. A painting kit that I received as a gift got me exploring; a crash course on oil painting got me learning, researching about artists got me wondering, reading articles and the experiments got me marveling. And what followed was an amazing trip into the realm of art, color, paint, workshops, failures, realizations, friends and of course life - which I have come to think of as my 'salvation' for the lack of a more dramatic word.

The weekend spent at E's ranch has been one such event and nothing short of spectacular. In keeping with the theme we watched art videos, discussed artists and their work, scouted the rolling hills for inspiration and painted too. We walked the beach drinking wine, hiked the tiny trails exploring the land, and lay on the roof under the brilliant sky counting constellations. The unprecedented escape brought a smile in me, that I shall remember for as long as I can.

 

A weekend well spent with Ellie, Anya, Branco, Breene and Cali. 

Pretty in Pink

I missed them last year and vowed to make a trip this time. And so I headed off to the Lover point Park in Pacific Grove. I was right in time to catch the pretty pink ice plants that have taken over most of shoreline here. It was an overcast day; I first walked around and took a multitude of pictures; hoping that I could use some of them as reference photos later. I then settled down and worked on the above painting for about an hour, before I decided that it was a wiper! I am still glad that I got to go out there and absorb it all. Hopefully I'll put in my experience and not to forget the richness of the pink-purple flowers when I make another humble attempt at painting this stunning rarity of a view - The shoreline that was clad in pink. 

At the Menlo Garden

One out of the two paintings that I managed to complete on a day out at the Allied Arts Garden at Menlo Park (while attending the workshop by Artist Kristen Olson).  Since the sun had gone down by the time I started the second painting, I taped my phone to the easel and painted from the photo that I had shot of the arch earlier. Now I wonder, if that is painting en plein air!